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Showing posts from November, 2019

El Camino: A Breaking Bad Movie (2019)

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So, let's get to the story so far. 

Walter White (Bryan Cranston) came back from self-imposed exile, insuring that his family was going to be cared for an getting rid of a bunch of neo-Nazis that were holding his partner, Jesse Pinkman (Aaron Paul) hostage and forcing him to cook meth using White's recipe.  While White dies from a gunshot wound after setting off a remote-controlled machine gun, Pinkman hops into an El Camino owned by a psychopath named Todd (Jesse Plemons) and high-tails it on out.  The end, credits roll.

That was four years ago as Breaking Bad came to its end.  I won't say the show was perfect; in fact, I think its spin-off, Better Call Saul, is the superior program.  It is kind of unfair to compare them since, even though they are the same universe and some of the same characters, the feel of the shows couldn't be more different.  That is why it is strange that, instead of a new season of Better Call Saul, creator and director Vince Gilligan decided…

X the Unknown (1956)

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Hammer Studios didn't just appear out of nowhere remaking Dracula and Frankenstein films.  They were founded in 1934 and, while initially doing comedies, branched out into a number of different genres, finally finding success with nearly 20 years worth of classic fright films until they fell apart in the 1970s. 

Just as Hammer didn't just materialize out of nowhere, neither did British science fiction.  Long before Doctor Who there was Professor Bernard Quatermass, an earthbound rocket scientist who found himself fighting aliens across three well-regarded British television series in the 1950s, and better known in the United States through a number of movies based on the show and the character.  The first of those was The Quatermass Experiment, the television version having suffered much the same fate as early Doctor Who.  Fortunately, in 1955, a movie version called The Quatermass Xperiment was released and did well in the United States (where it was released as The Creeping…

The Avengers (2012)

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Iron Manwas a huge risk in 2008.  Even by Hollywood standards Robert Downey, Jr.'s behavior had been outrageous enough to where he was practically blackballed.  Typically this is something reserved for someone like Mel Gibson, who managed to combine a sexist and anti-semitic rant all within the same traffic stop.  Downey had decide to clean up his act and, in doing so, got a starring role in what would become one of the largest movie franchises in history.

Over the four years a number of things changed.  Marvel Studios was sold to Disney, although Paramount continued to put out the films up to this point.  Iron Man itself got a direct sequel, while the Incredible Hulk, Thor and Captain America all got movies of their own.  The quality of the movies varied, but woven throughout were visits from Nick Fury, connecting the various films and moving toward the main heroes and supporting characters coming together in one movie.

The Avengers is that movie and, in 2012, it made over a billi…

For Your Eyes Only (1981)

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The Roger Moore years of James Bond are quite frustrating.  Albert Broccoli probably couldn't have picked a better actor to portray Bond after both Sean Connery and George Lazenby backed out of the role, but for some reason the directors (usually Guy Hamilton) and writers of the 1970s couldn't decide whether they were making comedic super hero films are serious spy movies.  Thus, even though there are good (and even great) parts in all of the 1970s Bond films, only The Spy Who Loved Mestood out as approaching the classic adventures from the 1960s.  Unfortunately, after getting the series back on track, it was back to absolute silliness with Moonraker's attempt to jump on the Star Wars coattails.

For Your Eyes Only was another attempt to modernize the series as well as give it a more serious tone.  Originally planned to follow The Spy Who Loved Me, it unfortunately was delayed.  Despite the fact that a good portion of the film (ski slope chases, a technological McGuffin, un…

The Witches (1990)

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I remember the first time I saw The Witches.  All I knew is that it was a movie my girlfriend at the time wanted to see.  I had no idea about Jim Henson's involvement and even less about Roald Dahl, other than he wrote Charlie and the Chocolate Factory.  The name I did recognize when the credits started up was Nicolas Roeg.

Yes, it does seems strange for an 18-year-old on the cusp of graduating high school in 1990 to get excited when the name Nicolas Roeg came up.  However, there was good reason.  Science fiction and music were always a passion of mine.  I was not the biggest David Bowie fan at the time (except for the first Tin Machine album he was not releasing anything new or exciting) but appreciated him enough.  I was a fan of a rather strange science fiction movie he was involved in, The Man Who Fell to Earth, which in some ways dovetailed with his Ziggy Stardust persona at the time it was made.  I was suddenly interested in what an obvious art film director was going to do…