Expelled Grey Matter

Sam Raimi, except for the premiere episode of Ash vs. Evil Dead , had backed away from directing after the disastrous flop  Oz the Great and Powerful .  It was the best decision at the time as that movie had little of what made Raimi great, either as a classic horror director or as the director of one of the best superhero films of all time.  It was a tired piece of work-for-hire Hollywood pablum that would cause anyone to question their career choices. Despite his reluctance to get behind the camera again he was talked into directing a Marvel film, Doctor Strange in the Multiverse of Madness .  Despite being a latter-day Marvel production it was a solid fantasy flick and was recognizably a Sam Raimi film despite all its flaws.  Although it had a mixed reception it got him interested in directing again and, lo and behold, we got Send Help in early 2026.  Linda Liddle (Rachel McAdams) is the hardworking head of the strategy and planning department of her com...

They were not the first movies that actor and director José Mojica Marins made, but they were the first horror films in Brazil.  Because of that Zé do Caixão, or Coffin Joe as he is known to English speakers, became a nationwide phenomena.   At Midnight I'll Take Your Soul and This Night I'll Possess Your Corpse became hits despite their low budget and the public was hungry for more.  Unfortunately there was a wait of over 40 years for a true sequel, but that didn't keep Coffin Joe from popping up here and there. In this case it's the first movie after the two in the series.  The Strange World of Coffin Joe is an anthology film, directed by Marins and featuring him in the last segment, with a voiceover at the beginning.  The two previous films owed a lot to British and Italian horror of the time, and during the late 1960s many of the major European studios were releasing anthologies.  With the military junta looking the other way as long as film...

Although many Stephen King books dwell on cosmic terrors and monsters that are often quite human, there have been a number of his books that dwelt on more traditional horror material.  He got vampires and werewolves out of his way early in his career, and there have been plenty of ghosts, but it wasn't until 2006 that he decided to enter the realm of zombies, despite being friends and often a collaborator with George A. Romero.  When it came time to do zombies King decided not to go with the traditional but instead added a healthy dose of technological fear.  For Cell  he pulled from movies such as 28 Days Later and added a hefty dose of Richard Matheson's  I Am Legend on top of it.  What he created still had many of the apocalyptic tropes that surround these stories, but it was something purely him.  It was also relatively short and pulpy.  It was one of the late-career novels that pulled King out of the mire of overlong epics he had been churnin...

Long before there were superhero universes there were comic books.  Detective Comics featured a tragic figure in the form of Batman, a rich playboy turned vigilante after witnessing the death of his parents.  It was dark and brooding with a host of unforgettable villains that Batman was constantly keeping from destroying Gotham City or, in some cases, the world.  So, when it finally came time to bring him to the small screen, the writers decided to go all-in on the comic aspect.   It worked, at least for the first couple of seasons before budgets were cut and actors started rotating out of their roles.  It made Adam West and Burt Ward instant superstars for a time, although it pretty much typecast them as the Dynamic Duo for the rest of their lives.  The Batmobile became an iconic vehicle.  The sets were perfect for newfangled color televisions, full of bright colors, while the fights were enhanced by comic sound effect balloons.  It was corn...

The Cabin in the Woods was deconstruction of a number of well-worn horror tropes while Scream started an entire trend of self-referential slasher films.  In between those two came a plucky horror comedy called Behind the Mask: The Rise of Leslie Vernon.  Somehow this slipped by me.  Horror from the 2000s - in fact, up to about the early 2010s - is some of the worst ever produced.  It was a time filled with bloodless PG-13 fright films and a handful that tried to carry on the legacy of Scream and just ended up being annoying. Behind the Mask is a bit different. Leslie Vernon (Nathan Baesel) is a budding supernatural killer.  The legend in the town of Glenn Echo is that Vernon was thought possessed by evil and, after killing his parents, was tossed from a cliff into a waterfall.  Since the body was never found it made the story ripe for urban legend.  The difference with Vernon, however, is that he has agreed to let a group of grad students led by Tayl...

It is always nice to see a series redeem itself and the  Predator franchise managed to do so with Prey .  Set in North America during the early years of the colonists' westward expansion it told the tale of a young Comanche woman encountering a Yautja on a hunting expedition to Earth.  It both explained where the gun came from in Predator 2 that was gifted to the cop after defeating the one hunting in Los Angeles as well as dragged the series out of the same quagmire the Alien franchise, which takes place in the same universe, was wallowing in.  There were some hints at where sequels would go at the end of the film, and they may someday be explored, but writer and director Dan Trachtenberg decided to go in a different direction.  Comic books and video games, as well as previous sequels, had explored the Yautja and hinted at their culture.  Up to this point, on film at least, all encounters had been from a human perspective.  This time around we get som...