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Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953)

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Diminishing returns on the movies where Abbott and Costello meet different Universal monsters was a given.  After all, by the time Abbott and Costello Meet Dr. Jekyll and Mr. Hyde  was made the duo had made over 25 films for Universal and were obviously trying to wind things down.  Most of the jokes had become routine.  However, if one thing had been learned from Abbott and Costello Meet Frankenstein , it was that the horror elements must balance out the comedic.   There is a monster on the loose in London who is killing random people.  Reporter Bruce Adams (Craig Stevens) is trying to get the scoop.  While doing so he meets a beautiful suffragette named Vicky (Helen Westcott) who is also a performer in a music hall.  Vicky happens to be the ward of Dr. Jekyll (Boris Karloff) who, along with his assistant Batley (John Dierkes), is experimenting with bringing out the different sides of human beings.  He secretly wishes to marry Vicky and ...

Bud Abbott and Lou Costello Meet the Invisible Man (1951)

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At the end of Abbott and Costello Meet Frankenstein  there is a throwaway joke where they meet the Invisible Man, voiced by an uncredited Vincent Price.  He had previously played the role in The Invisible Man Returns   and the scene hinted at which direction the next Abbott and Costello movie would go.  Instead, they went for more of a whodunnit with Bud Abbott and Lou Costello Meet the Killer, Boris Karloff  and then produced a number of more typical comedies with the duo.  However, when they did get back to meeting the Universal monsters, it was the Invisible Man that came next.  Like Abbott and Costello Meet Frankenstein being a direct sequel to the previous monster films this is also a continuance of the original The Invisible Man   from 1933.  Bud Alexander (Bud Abbott) and Lou Francis (Lou Costello) have just graduated from detective school and are eager to get their first case.  That comes in the form of boxer Tommy Nelson (Arthur...

Bud Abbott and Lou Costello Meet the Killer, Boris Karloff (1949)

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Abbott and Costello Meet Frankenstein , despite Bud Abbott's reservations, turned out to be a grand success.  It brought back Lon Chaney Jr. as Lawrence Talbot, aka the Wolf Man, as well as Bela Lugosi as Dracula.  It also managed to give all three of the most popular Universal monsters a proper ending rather than the silly films they had turned into.  Ironically, they did this while being intentionally funny. The one thing that was missing was Boris Karloff.  Glenn Strange, who had played the Monster in House of Dracula and House of Frankenstein , returned as the creature.  Meanwhile, Karloff agreed to promote the film as long as he was not forced to watch it, which is a shame because it is one of the best old-time horror comedies made.  Seeing that formula was successful he agreed to a bit part in the next one which, though only having some horror elements on the surface, still was quite entertaining. Freddie Phillips (Lou Costello) is a bellhop at a pre...

Disturbing Behavior (1998)

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After finding out a little more about this somewhat forgotten '90s horror flick I find it hard to have a solid opinion.  The reason is that, like so many similar movies, the film that is available is little more than a shadow of what it was supposed to be.  Of the 112 minutes that director David Nutter intended only 84 ever reached the screen and MGM, the studio and distributor, has never allowed the original cut to be released despite the fact that it exists.  Many films, especially the Friday the 13th  films, have had large swaths sliced out of them to avoid dreaded X or NC-17 ratings, but Disturbing Behavior is one of those in which the studio just grabbed it and cut it into a barely comprehensive mess. Steve Clark (James Marsden) and his family move to the small town of Cradle Bay after his older brother Allen (Ethan Embry) commits suicide.  Steve soon befriends a couple of stoners named Gavin (Nick Stahl) and U.V. (Chad Donella) and becomes attracted to a g...

Abbott and Costello Meet Frankenstein (1948)

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By the late 1940s the Universal horror films had turned from artful, stylish gothic horror to little more than cheap b-movies.  It appeared that things may get back on track with The Wolf Man .  However, despite that movie's success, it never received a proper sequel.  While the subsequent movies featuring Lon Chaney Jr. as Lawrence Talbot were fun they concentrated on what kids wanted to see, which was Frankenstein's monster and Dracula duking it out with our hairy-handed gent.  That is among the reasons that Bud Abbott was not too happy when presented with the script for Abbott and Costello Meet Frankenstein .  At the time the team of him and Lou Costello was one of the biggest comedy acts around, with a number of hit films, not to mention popularity on radio and live shows.  What sold Abbott on it was a big paycheck and a director, Charles Barton, that had frequently worked with the duo in the past.  Little did they know it would become one of the b...

Resident Evil (2026)

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Video games do not typically make for prestige movies.  There have been some impressive adaptations - the recent Fallout television series being an example - but for the most part these franchises have rightfully gone to schlock directors as the studios, both on the movie and video game side, were more interested in making a quick buck.  Notably, the original Resident Evil movie was handled by Paul W.S. Anderson, a director who built most of his career on the cult film Event Horizon .  His movies are usually good looking but hollow, and the original Resident Evil series played more like a vanity project for his wife Milla Jovovich.  Despite this I found most of that series to be quite entertaining, particularly Resident Evil: Extinction  which brought in another classic b-movie director, Russell Mulcahy.   Despite the worldwide phenomena that the video game series is I have never played Resident Evil or any of its sequels, spinoffs or reboots.  T...

This Is the End (2013)

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It is such a typical Hollywood ego trip that screenwriters would think that the Biblical apocalypse - complete with the apocryphal Rapture - would occur in Los Angeles.  That is probably a good part of the joke that Seth Rogan and Evan Goldberg were trying to make with This Is the End .  They co-directed and co-wrote, along with Jason Stone, a scenario in which a number of Hollywood celebrities get caught up in the chaos of the end times and, in typical Hollywood fashion, make it all about themselves.  Jay Baruchel comes to Los Angeles to meet his friend Seth Rogen and hang out for a weekend.  Against his better judgment he lets Rogen talk him into going to a party thrown by James Franco.  As Baruchel doesn't really like Franco, Jonah Hill or many of the guests he becomes uncomfortable and starts talking about going back to Rogen's house on his own.  While at a convenience store the earth suddenly shakes and several people are lifted into heaven by blue lig...