The Swarm (1978)

In 1978, when The Swarm was made, Africanized honey bees (sensationalized as "killer bees," but not far from the truth) had begun migrating up from Brazil into North America.  At this point they were in Mexico, and there was some debate on whether or not they would survive as they moved north.  Unfortunately, the answer to that has been "yes," as the real killer bees have managed to take hold where I live and continue to move northward into more temperate regions.

While they do kill as a swarm, repeatedly stinging victims en masse and even pursuing them over long distances, they will never reach the height of destructiveness as they do in this movie.  Instead of waiting for them to arrive, government scientists begin experimenting with the bees and, of course, they get loose.  Brad Crane (Michael Caine) is a bee expert that originally falls afoul of General Slater (Richard Widmark), whose unit was sent in to clean things up.

Enlisting his colleagues Doctors Hubbard (Richard Chamberlain) and Krim (Henry Fonda), they go in search for both a way to kill off the bees and to counteract the ferocity of their stings.  It is all to no avail, as the bees rampage across Texas and wipe out everything in their path until a last, desperate plan seemingly kills off the scourge.

If the plot sounds familiar, well, that means you have watched plenty of giant bug and monster movies from the 1950s.  You may also notice that, even with a partial list of the cast, that this reads like a number of classic actors slumming at the end of their career.  Watching the movie you kind of get that feel, but it seems it wasn't meant to be.  Director Irwin Allen, who had been responsible (as a writer and producer) for such major hits as The Towering Inferno, blew quite a bit of money on this picture.  The special effects are largely well-done and, like many '70s disaster films, it boasts an "all-star cast" that is almost guaranteed to get people into the theaters.

At this point in the game, however, American International had run the "animals run amock" genre into the ground, as had countless ripoffs of Jaws. While he was probably attempting something along the lines of Them!, Allen ended up making the equivalent of Beginning of the End, just with better effects and normal-sized insects. 

The movie is a mess, with subplots appearing and disappearing for no reason (other than to give the actors some reason for showing up), and where most movies like this top out at 90 minutes, this came in just shy of two hours.  Or, if you end up seeing the extended version that is often shown these days, you're looking at two and a half hours of your time gone. 

It does have a few decent scenes.  The parents being killed in front of the kid is satisfyingly brutal.  When the bees do reach Houston it is quite exaggerated but still well-done. 

It never would have been a classic, but if Allen had trimmed The Swarm from its bloated running time and focused merely on the scientists trying to get rid of another deadly menace, then I would recommend this as a nice homage to the mutant bug movies of the 1950s.  As it is, be warned that this is one hard slog, even for people who love these types of movies.

The Swarm (1978)
Time: 155 minutes
Starring: Michael Caine, Katharine Ross, Richard Widmark
Director: Irwin Allen


Comments

Post a Comment

Popular posts from this blog

The Lawnmower Man (1992)

Image
Virtual reality has been one of the most hyped, and one of the most disappointing, promises of technology.  While it promotes immersion into a cybernetic world what it really provides are video games with 20-year-old graphics and the occasional bruise when one accidentally hits a closet door.  In the case of The Lawnmower Man  what it is promising is that something with graphics just a little bit better than Dire Straits's "Money for Nothing" video will somehow change the world and alter humanity. It was laughable then and it is laughable now.  The only person not laughing was Stephen King, who demanded that his name be removed from all future advertising for the movie because he never wrote this.  The story, of which a short film was made in the 1980s, involves a man unwittingly hiring a Greek god to mow his lawn and, after said god creates a spectacle, paying for the landscaping with his life.  It's only a few pages and, in my opinion, it is one of King's...
Read more

Things (1989)

Image
Most of the time when I hear a movie is the worst ever I know that is hyperbole. There are few candidates and I would even say the famous book chronicling the worst movies ever made got it wrong.  Plan 9 from Outer Space is laughably incompetent, but enjoyable.  The worst kind of films are the ones where no joy can be found in the watching experience, for reasons ranging from unlikeable characters to just sheer boredom.  A truly horrible movie is something like  Things.   This is a 1989 direct-to-video horror film from Canada, filmed on 8mm and dubbed once it was completed and the makers realized most of the sound was unusable.  Director Andrew Jordan and writer Barry J. Gillis managed to grab porn star Amber Lynn for an hour to shoot her as a news reporter just so they could put her face on the video box.  Most of the music was done by Gillis, and some of it by a local band called Familiar Strangers.  It was filmed in large part in Andrew Norman'...
Read more

The Omen (1976)

Image
A movie does not have to be high art to strike a chord with the public.  The Omen was an attempt by writer David Seltzer to make some money and get a nice trip to the UK.  It just so happened that because of The Exorcist the public was hungry for more movies involving demons and such, and adding a veneer of Catholicism didn't hurt either.  The Vatican's secrets are most likely of more interest to scholars than anyone else, but a religion doesn't hang on over the centuries without creating a bit of mystery.  In this case, Seltzer settled on the Revelation of St. John, the low-fantasy portion of the Bible and, instead of an hilariously named (albeit historically correct) demon named Pazuzu, with The Omen we get the son of Satan himself.  When Robert Thorne (Gregory Peck) is informed that his child has died he visits a priest at the hospital in Rome where his wife is coalescing.  He is given an offer too good to be true: a foundling, whose mother died in...
Read more