Expelled Grey Matter

A major problem with many of the Godzilla films from any era is, though the series may begin strong, it quickly devolves into trying to walk a fine line of presenting a cool monster story while still keeping it family friendly.  The modern-day versions have worked best when the stories went into darker territory and allowed the terror that permeated the original Godzilla to come through.   Surprisingly the Millenium Era of Godzilla understood this.  There was no grand plan except for a few of the movies made to have multiple chapters.  Instead, each entry presented Godzilla in a different manner, and both Godzilla 2000: Millennium and Godzilla vs. Megaguirus  were partially successful.  The issue was often that Toho didn't give the directors and special effects crews decent budgets, thus resulting in some impressive miniature work but often horrible CGI.  Because of that the feeling of watching an epic monster movie didn't surface until Godzilla...

Sam Raimi, except for the premiere episode of Ash vs. Evil Dead , had backed away from directing after the disastrous flop  Oz the Great and Powerful .  It was the best decision at the time as that movie had little of what made Raimi great, either as a classic horror director or as the director of one of the best superhero films of all time.  It was a tired piece of work-for-hire Hollywood pablum that would cause anyone to question their career choices. Despite his reluctance to get behind the camera again he was talked into directing a Marvel film, Doctor Strange in the Multiverse of Madness .  Despite being a latter-day Marvel production it was a solid fantasy flick and was recognizably a Sam Raimi film despite all its flaws.  Although it had a mixed reception it got him interested in directing again and, lo and behold, we got Send Help in early 2026.  Linda Liddle (Rachel McAdams) is the hardworking head of the strategy and planning department of her com...

They were not the first movies that actor and director José Mojica Marins made, but they were the first horror films in Brazil.  Because of that Zé do Caixão, or Coffin Joe as he is known to English speakers, became a nationwide phenomena.   At Midnight I'll Take Your Soul and This Night I'll Possess Your Corpse became hits despite their low budget and the public was hungry for more.  Unfortunately there was a wait of over 40 years for a true sequel, but that didn't keep Coffin Joe from popping up here and there. In this case it's the first movie after the two in the series.  The Strange World of Coffin Joe is an anthology film, directed by Marins and featuring him in the last segment, with a voiceover at the beginning.  The two previous films owed a lot to British and Italian horror of the time, and during the late 1960s many of the major European studios were releasing anthologies.  With the military junta looking the other way as long as film...

Although many Stephen King books dwell on cosmic terrors and monsters that are often quite human, there have been a number of his books that dwelt on more traditional horror material.  He got vampires and werewolves out of his way early in his career, and there have been plenty of ghosts, but it wasn't until 2006 that he decided to enter the realm of zombies, despite being friends and often a collaborator with George A. Romero.  When it came time to do zombies King decided not to go with the traditional but instead added a healthy dose of technological fear.  For Cell  he pulled from movies such as 28 Days Later and added a hefty dose of Richard Matheson's  I Am Legend on top of it.  What he created still had many of the apocalyptic tropes that surround these stories, but it was something purely him.  It was also relatively short and pulpy.  It was one of the late-career novels that pulled King out of the mire of overlong epics he had been churnin...