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Showing posts from March, 2026

Dolan's Cadillac (2009)

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  One thing Stephen King did to both help upcoming filmmakers and encourage many of his stories to be made into movies is sell the rights to a good number of them for a dollar.  For someone making a short student film this meant a starting point to adapt the story to their own needs without breaking the budget and, for King, it meant a steady stream of his movies available in the theaters and cable as well as on video and, later, DVD.  While much of that output is low budget, amateurish and sometimes outright horrid, it meant that studios with money to put behind many of the professional adaptations were more willing to do so. Dolan's Cadillac was a novella first printed in Castle Rock magazine in 1985 and later released in the collection Nightmares & Dreamscapes in 1993.  It is a crime story rather than his usual horror although it does pay homage to Edgar Allen Poe's "The Cask of Amontillado", something the film emphasizes more than the story.  It is quite...

Blue Beetle (2023)

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Blue Beetle had everything going against it.  The DC Cinematic Universe was on its last legs and everyone knew it, from audiences to the Warner Bros. executives.  By the time the movie was wrapping up I'm sure even director Angel Manuel Soto knew it.  At this point movies like Batgirl , which was pretty much completed, were being scrapped and used as tax write-offs.  Blue Beetle , which had originally been meant to stream on HBO Max, somehow scampered into theaters and, except for those who revel in seeing things fail, it was largely ignored.  Though critics gave it decent reviews it didn't catch on with audiences. Part of the problem is that by this time most people only wanted to watch these movies to mock them.  So many of the DC films had been hollow spectacles with little to no entertainment value, so it was expected that the movie also wouldn't be any good.  It's a minor character, the plot is way too similar to Shazam! , and it came on the heels...

The Inheritance (2026)

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I work hard to support local artists and the community around them.  The problem is that, as a critic, it is important to be honest in an assessment.  It's a bit hard to do so when it is obvious that a person is amiable and is trying to make something for others to enjoy while calling attention to a community that they love.  Part of criticism is to help someone improve and, hopefully, reach the goals they are hoping to achieve.  I that spirit I dive into  The Inheritance.  James Mills (James Mills) inherits a property near the Arizona town of Globe from his father.  It is significantly off the beaten path and covered in trash.  However, not being in the best financial straits, he decides to see if there is anything worth doing with the property.  His uncle's attorney also wishes him to check it out and let her know if he intends on doing anything with it.  However, as he approaches, he starts getting strange vibes, including sudden...