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The Living Dead at Manchester Morgue (1974)

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There was a time in the past when zombie movies had not overstayed their welcome.  At the time The Living Dead at Manchester Morgue was made pretty much the only film that that was using George Romero's particular type of zombie was Children Shouldn't Play with Dead Things .  Despite Night of the Living Dead becoming a big hit it was really Dawn of the Dead that kicked off the whole genre.   Thus, the Spanish-Italian production The Living Dead at Manchester Morgue , also known as Let Sleeping Corpses Lie amongst a variety of other titles, was a bit of an anomaly.  It also meant that, though it owed a lot to Romero, it still had room to make up its own rules.  The result is a movie that has been rediscovered and appreciated in recent years as its take on the genre seems a bit fresh after the same plots repeated ad infinitum. George (Ray Lovelock) is on his way to visit some friends in Windemere when Edna (Cristina Galbó) backs into his motorbike. He demands...

Kraven the Hunter (2024)

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I would make a reference to the Sony Spider-Man Universe dying with a whimper rather than a bang, but it didn't really even do that.  It died more with the underwhelming sound of a punctured whoopy cushion.  The cast and crew behind  Venom: The Last Dance wasn't really informed of what Sony's plans were, and it seems like neither was director J.C. Chandor, more known for doing mid-budget dramas than big-budget superhero films.  It's another case of someone getting their big chance and the studio either interfering with or just ignoring what they do. In this case it wasn't just the studio.  Audiences did as well, with buzz about the movie being as bad or worse than Morbius and announcements ahead of the release, which had been delayed for over a year, that this was it with Sony's attempts to keep Disney from being able to use characters from the Spider-Man comics.  That any of these movies were watchable is the true miracle.  If there had been any dri...

Day of the Animals (1977)

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A recent internet discussion has been whether or not a woman should choose a man or a bear to be alone with in the forst.  There is a scene in Day of the Animals that makes that choice rather obvious, although it's pretty atypical as the animals seem to be attacking indiscriminately.  William Girdler, hot off of the big success of Grizzly the year before, gathered some of the stars - and the bear - from that movie for another film about animals attacking, one that has garnered a bit of a cult status by being weird, campy, ridiculous and somewhat effective all at the same time. Steve Buckner (Christoper George) is about to take a group of hikers up a mountain for a two-week hike back to the town of Murphy.  Along with him is a Native American guide named Daniel Santee (Michael Ansara), a reporter named Terry (Lynda Day George) and a number of others.  Both Buckner and Santee feel that something is off, and it turns out they are right.  A weakening in the Earth's...

Grizzly (1976)

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I can almost hear the pitch for a number of movies in the mid-1970s.  "It's like Jaws , but with..."  As in, with piranha, a killer whale, a pack of dogs, a giant squid, killer bees or, in this case, a bear.  Not just any bear, but one waying over a ton and standing 18 feet in height, said by one character to be a throwback to the bears that roamed during the ice age.   The reason all these and more got made?  They made money.  Grizzly , despite a number of dull sequences and a not-so-convincing mechanical bear standing in whenever the real one couldn't be used, was the highest grossing independent movie until Halloween came around two years later.  It also has some interesting tales of theft, deceit and general wrongdoing behind it that are more interesting than the movie or its spiritual sequel, Day of the Animals .  The tourist season is wrapping up, but there are still a number of backpackers in a stretch of national forest land that for...

The Substance (2024)

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When one sees a tagline that a movie is "absolutely insane," whether or not it includes modification from the universal adjective, one has to take it with a grain of salt.  What mainstream critics and studios consider insane is usually something that those of us who enjoy the fringes of cinema are familiar with.  It is familiar territory for writer and director Coralie Fargeat who has an unquestionable knowledge of horror.  This was obvious in Revenge , which took inspiration from past exploitation films such as I Spit on Your Grave , but put an angry feminist spin on it.  The Substance finds Fargeat doing the same for body horror.  The obvious go-to on this is David Cronenberg, and the influence is there, particularly from The Fly .  What The Substance most resembles, however, is Brian Yuzna's cult favorite Society .  Her movie   is full of practical effects that recall those of Screaming Mad George.  It also has that same satire of a specif...

Tremors (1990)

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Tremors is truly an odd duck of a movie.  Made on a low budget with a reluctant Kevin Bacon, who thought the movie was going to kill his career, it initially had a tepid box office run despite some good reviews from critics.  Where it flourished was on the rental market as audiences soon discovered that director and writer Ron Underwood had delivered a fun tongue-in-cheek monster movie with some impressive-looking creatures.  Despite Bacon's reluctance it also has one of his best performances. What is most surprising is that this movie that pretty much no one expected much of has spawned numerous sequels and a television show without the usual sinking quality of other franchises.  Not that the movies it has spawned are fantastic.  It is just that they are not the usual abysmal fare that something like the Hellraiser franchise has become.  At the heart of it, of course, is this film. Val (Bacon) and Earl (Fred Ward) are a pair of ne'er-do-well friends living...

Lake Placid (1999)

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I know that the reason there aren't more giant monster movies these days is that most of them aren't that good.  In fact, Lake Placid itself had a series of made-for-television sequels that just got worse and worse, to the point that the crocodile was starting to get "versus" movies.  That's Asylum territory, and that's never a good thing.   Still, the original movie, despite being panned by critics, managed to become a hit.  Although it doesn't show up much until the end the crocodile, an animatronic occasionally enhanced by CGI when needed, was designed by Stan Winston and is pretty good looking.  The movie also features a number of name actors as well as Steve Miner, a veteran horror director, behind the camera.  It's not a serious film, but there is no reason it has to be.  When a diver with the Maine Game and Fish is bitten in half by something in a lake, Sheriff Hank Keough (Brendan Gleeson) teams up with game warden Jack Wells (Bill Pullman...